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Subject: Women

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A Woman's War Record, 1861-1865A Woman's War Record, 1861-1865

This book, published in 1880, recounts the experiences of Septima Levy Collis during the American Civil War (1861-1865). Mrs. Collis, born Septima Levy, daughter of David Cardoza Levy of Charleston, South Carolina, details her perspective on the conflict, including the loss of her brother, David Cardoza Levy Jr., who fought for the Confederacy. The book also includes details about her marriage to Capt. Charles Collis (who later became a general) in Philadelphia on December 6, 1861, and her father's involvement in the Reformed movement in Charleston.

Bust of a Lady: Trade Card, circa 1885Bust of a Lady: Trade Card, circa 1885

Trade card depicting a bust of a lady. The card is part of the Ostrander Collection (Ms. Coll. 1410) and is housed in Binder 1, Page 24, of the OOS collection. The card dates from circa 1885 and its geographic location is associated with the coordinates 42.6387819998483, -83.2926959998299, suggesting a location in the United States. The subject matter relates to mercantile themes.

Carte-de-Visite Photograph of an Unknown Woman, Louisville, KentuckyCarte-de-Visite Photograph of an Unknown Woman, Louisville, Kentucky

Carte-de-visite (CDV) photograph of an unidentified woman. The reverse of the photograph features an advertisement. The photograph is part of the Edward Klauber collection and came to Louisville, Kentucky in 1853 according to a memorial from Congregation Adath Israel. Klauber served as a trustee for over five decades.

Carte-de-Visite Photograph of Marie Bechtel LiebmanCarte-de-Visite Photograph of Marie Bechtel Liebman

Carte-de-visite (CDV) photograph of Marie Bechtel Liebman, identified as the mother of L. Liebman. The photograph was taken by Wenderoth & Taylor, located at 912, 914, & 916 Chestnut Street in Philadelphia, Pennsylvania. The photograph is undated but is from the collection's estimated date range of 1875.

Carte-de-visite Photograph of Sophia De YoungCarte-de-visite Photograph of Sophia De Young

Carte-de-visite (CDV) photograph of Sophia De Young, taken by Broadbent & Co. at 814 Chestnut Street, Philadelphia, Pennsylvania, circa 1875. The photograph is part of the 'E' Collection at the University of Pennsylvania Library.

Carte-de-Visite Portrait of Bess Kohn, Philadelphia, PennsylvaniaCarte-de-Visite Portrait of Bess Kohn, Philadelphia, Pennsylvania

Carte-de-visite (CDV) portrait photograph of Bess Kohn. The photograph's reverse features a full advertisement for F. Gutekunst, located at 712 Arch Street, Philadelphia. Kohn's address, 754 Franklin Street, is also noted on the back. The photograph is undated, but is estimated to be from circa 1875.

Carte-de-Visite Portrait of Brena De YoungCarte-de-Visite Portrait of Brena De Young

Carte-de-visite (CDV) portrait photograph of Brena De Young, identified as Mrs. Sam'l R. Hunter. The photograph was taken by Wenderoth & Taylor (formerly Broadbent), located at 912, 914 & 916 Chestnut Street, Philadelphia, Pennsylvania. Circa 1875.

Cartes-de-visite - Bergman & Flexner, Louisville, KY, undatedCartes-de-visite - Bergman & Flexner, Louisville, KY, undated

A sepia-toned cartes-de-visite (CDV) featuring a studio portrait of an unknown young woman, depicted seated and looking directly at the viewer. She is dressed in period attire, characteristic of the mid-19th century. The reverse side of the card features the ornate, florally decorated oval imprint of the photography studio, "Bergman & Flexner, Photographers, Bee-Hive Gallery, 94 West Main Street, Louisville, Ky." The borders of the card also exhibit a decorative, dashed line pattern.

Cartes-de-visite - Eureka Photograph Gallery I. G. Levy, San Francisco, 1871Cartes-de-visite - Eureka Photograph Gallery I. G. Levy, San Francisco, 1871

This carte-de-visite features a portrait of Alice Oldham Beasley, produced by the Eureka Photograph Gallery I. G. Levy in San Francisco, circa 1871. The photographic card shows a waist-up portrait of a woman in period dress. The reverse side prominently displays the ornate Victorian-style lettering of the "Eureka Photograph Gallery I. G. Levy" with its address, and includes a note indicating that negatives were preserved for extra copies at reduced rates. The subject's name, "Alice Oldham Beasley," and the year "1871" are handwritten at the top of the reverse side. 3.

Cartes-de-visite - Fredricks & Co., New York, 1863Cartes-de-visite - Fredricks & Co., New York, 1863

A black and white photographic portrait (carte-de-visite) of J. M. Levy, captured in a bust shot. Levy is depicted looking to the left, with her hair styled in ringlets on the sides and a small bow visible at her neck. The name "J. M. Levy" is handwritten in script below the portrait. The reverse side of the carte-de-visite features the imprint of the photographic studio, "Fredricks & Co., 179 Fifth Avenue, (Madison Square), New York," surrounded by decorative flourishes and ornate borders typical of the mid-19th century. This photograph is identified as Juliana M. Levy and is part of a collection of Levy family portraits. **3.

Cartes-de-visite - Levy Family, New York, New York, circa 1860Cartes-de-visite - Levy Family, New York, New York, circa 1860

This album page features four individual carte-de-visite photographs of members of the Levy family. The top left photograph shows Mary E. Levy. The top right image depicts Charles S. Levy and Juliana M. Levy as young children. The bottom left photograph is of Juliana M. Levy at approximately 12 years of age, and the bottom right features Charles S. Levy at approximately 10 years of age. The page is designed with ornate decorative frames around each oval portrait, including intricate borders and central ornamental elements, typical of mid-19th century photographic album presentation. The photographs are part of a collection pertaining to a New York City family.

Cartes-de-visite - T. Lilienthal, New Orleans, Louisiana, circa 1860Cartes-de-visite - T. Lilienthal, New Orleans, Louisiana, circa 1860

This item is a carte-de-visite photograph depicting an unknown woman in full dress, standing beside an ornate chair. The reverse side of the photograph identifies the photographer as T. Lilienthal, located at 102 Poydras, New Orleans. Cartes-de-visite were a popular format for portrait photography in the mid-19th century.

Heroines of FreethoughtHeroines of Freethought

This book, published in 1876, presents biographical sketches of eleven prominent women associated with the freethought movement. The biographies include Madame Roland, Mary Wollstonecraft Godwin, Mary Shelley, George Sand, Harriet Martineau, Frances Wright D'Arusmont, Emma Martin, Margaret Reynolds Chappellsmith, Ernestine L. Rose, Frances Power Cobbe, and George Eliot (Marian Evans Lewes). This work, originally published by Somerby before its acquisition by The Truth Seeker Company, contains a significant biographical account of Ernestine Rose (pp. 255-281). It is considered extremely rare due to a lack of subsequent reprints.

Letter from Rachel Mordecai Lazarus to Emma Mordecai, April 11, 1832Letter from Rachel Mordecai Lazarus to Emma Mordecai, April 11, 1832

A one-page, stampless letter written on April 11, 1832, from Rachel Mordecai Lazarus of Wilmington, North Carolina, to Emma Mordecai of Richmond, Virginia. The letter details family events, daily life, social news, and mentions books they read. Rachel Mordecai Lazarus (1788-1838) was born in Goochland, Virginia, and her mother was the daughter of silversmith Myer Myer. Emma Mordecai (1812-1906), one of thirteen children, remained devoted to Judaism despite many family members converting to Christianity. She established a Sunday school for Jewish children and authored a textbook for Jewish youth.

Photograph of Rhoda BernardPhotograph of Rhoda Bernard

A photograph of Rhoda Bernard. The image is dated January 1, 1916. The photograph is part of manuscript collection MS. Coll. 1410, housed in Oversize box 1, folder 26. The geographic location associated with this item is New York, New York.

Portrait of Ellen Naar with her Granddaughter, Sarah FrancisPortrait of Ellen Naar with her Granddaughter, Sarah Francis

Oil on canvas portrait depicting Ellen Naar with her granddaughter, Sarah Francis. The painting is framed and measures 33.5 x 26.5 inches. Created circa 1835. Ellen Naar (d. 1856) was married to Joshua Naar of the Sephardic-American Naar family and was a member of New York's Shearith Israel synagogue.

Stereoscopic Photograph - T. Lilienthal, New Orleans, Louisiana, circa 1870Stereoscopic Photograph - T. Lilienthal, New Orleans, Louisiana, circa 1870

This stereoscopic photograph captures a woman and a young child with a small wheelbarrow on a paved driveway in front of a grand private residence, surrounded by mature trees. The back of the item features an elaborate design typical of Victorian-era photography, including a cherub figure, ornate borders, and decorative text. It identifies the item as part of a "Series of Stereoscopic Views of New Orleans & Vicinity" photographed by "T. Lilienthal, Portrait & Landscape Photographer." The address "121 Canal St., New Orleans" is noted, along with the inscription "100 Private Residence on St. Charles st."

Tefilot Yisrael: Israelitisches Andachtsbuch nebst deutscher Übersetzung mit neun deutschen GebetenTefilot Yisrael: Israelitisches Andachtsbuch nebst deutscher Übersetzung mit neun deutschen Gebeten

This rare 1864 edition of "Tefilot Yisrael" is a Hebrew-German prayer book published by the Frank'sche Buchdruckerei und Buchhandlung in New York. It contains a unique second part titled "Tehinot Benot Yisrael" (Supplications for the Daughters of Israel), a section of prayers specifically for women. This edition is unrecorded in OCLC and not listed in Sharona Wachs's "American Jewish Liturgies." It represents a significant contribution to the history of American Jewish liturgy, particularly for its inclusion of women's prayers.

Trade Card - H. J. Radin, Carthage, N. Y., circa 1885Trade Card - H. J. Radin, Carthage, N. Y., circa 1885

This trade card advertises H. J. Radin, a dealer in Clothing, Hats, Caps, and Gents' Furnishing Goods located in Carthage, N. Y. The card features a decorative illustration of a young woman in a long dress and bonnet, holding a basket of flowers and an umbrella, set in a pastoral landscape with hills and a house in the background. The business information is presented in a red rectangular frame on the right side of the card. The overall style is typical of late 19th-century chromolithographed advertising. 3.

Trade Card - Mrs. Max Weyl, Washington, D.C., circa 1885Trade Card - Mrs. Max Weyl, Washington, D.C., circa 1885

A trade card for Mrs. Max Weyl's business, offering Fancy Goods and Worsteds, located at 712 7th Street N.W., Washington, D.C. The front of the card features a two-tone illustration (red/orange and grey) depicting a young woman wearing an elaborate, whimsical hat, holding a small bouquet of flowers, and seated on a tree stump in a stylized natural setting. The business name and address are printed in the upper left corner. The back of the card is blank.

Trade card - Polack's Clothing House, St. Louis, Missouri, 1882Trade card - Polack's Clothing House, St. Louis, Missouri, 1882

This trade card for Polack's Clothing House advertises "Fine Clothing and Furnishings" at the S. E. Corner of Fourth & Olive Streets, St. Louis, Missouri. The card is dated 1882 (copyright). The front features an illustration of a woman on a balcony, rendered in blue ink, with ornate Victorian-style lettering for the business name and details. The verso is blank.

Trade Card - S. Hirschberg's Great American Watch Depot, Philadelphia, Pennsylvania, Circa 1885Trade Card - S. Hirschberg's Great American Watch Depot, Philadelphia, Pennsylvania, Circa 1885

This trade card, dating from circa 1885, features an illustration of a woman in a pink dress with a red floral embellishment, holding a fan, standing in an interior setting. The verso advertises S. Hirschberg's Great American Watch Depot, located at 230 North Eighth Street in Philadelphia, Pennsylvania. Established in 1860, the business promoted itself as offering the "Largest assortment of Ladies' and Gents' Gold and Silver Watches in the World." The text on the verso uses decorative Victorian-style lettering for the business name. 3.

Trade Card Depicting a Girl in a Turkish Hat, circa 1885Trade Card Depicting a Girl in a Turkish Hat, circa 1885

Trade card depicting a girl in a Turkish hat. The image is described as "GIRL IN A TURKISH HAT." This item is part of the collection Arc.MS.56, Volume 25, Page 2 and is dated circa 1885. The card's subject matter suggests a connection to mercantile trade, potentially representing a product or service related to clothing, fashion, or cultural imagery.

Trade Card Depicting a Woman Picking FlowersTrade Card Depicting a Woman Picking Flowers

A trade card, circa 1885, depicting a woman picking flowers. The card is part of Volume 28, Page 2 of the collection Arc.MS.56. The image is currently unavailable. The card's subject matter suggests a possible connection to the mercantile trade, although further context is needed. The card is associated with I. H. Brounstein.

Trade Card Depicting a Woman Picking FlowersTrade Card Depicting a Woman Picking Flowers

A trade card depicting a woman picking flowers. The card is part of Volume 28, Page 2 of archival collection Arc.MS.56. The image is circa 1885 and relates to mercantile activities. The card's location is Syracuse, New York, based on the archival collection's geographic metadata.

Trade Card for Rosenbloom'sTrade Card for Rosenbloom's

The front of the card features a young girl, with dark curly hair, in a white dress, holding a bouquet of pink flowers in front of her. The girl is looking at the viewer. The background includes a blue sky with clouds and greenery. The back of the card is blank.

Trade Card: 14 to 18 Asylum Street, Hartford, ConnecticutTrade Card: 14 to 18 Asylum Street, Hartford, Connecticut

A circa 1885 trade card depicting a young woman with flowers on her dress. The card features a gold border with pink dots inside a silver border. The address 14 to 18 Asylum Street is prominently displayed. The card's imagery suggests a mercantile business, likely located in Hartford, Connecticut, given the address.

Trade Card: Abe Weil, Clothier, 114 North 9th Street, PhiladelphiaTrade Card: Abe Weil, Clothier, 114 North 9th Street, Philadelphia

This trade card advertises Abe Weil, a clothier located at 114 North 9th Street in Philadelphia. The front of the card features a charming illustration of a young woman sitting and reading a book of poetry in front of a stand of lilies. The image is likely meant to evoke a sense of refinement and elegance, associating the clothing store with beauty, leisure, and culture. The back of the card is blank.

Trade Card: Ben. Rosenblatt, Printer, Philadelphia, PennsylvaniaTrade Card: Ben. Rosenblatt, Printer, Philadelphia, Pennsylvania

This trade card advertises the printing services of Ben. Rosenblatt, located at 304 North Second Street, Philadelphia, Pennsylvania. The front of the card features a charming illustration of a young woman walking down a path carrying a basket overflowing with flowers. The style of the illustration and the overall aesthetic suggests a late 19th-century origin. The back of the card is fully covered by an advertisement detailing prices for various printing services offered by Rosenblatt. The back includes a price list for different printing options and quantities.

Trade Card: Boardman & Dreyfus, Universal Fashion Company, Nevada City, CaliforniaTrade Card: Boardman & Dreyfus, Universal Fashion Company, Nevada City, California

This trade card advertises the Universal Fashion Company, located on Broad Street (opposite Stump's Hotel) in Nevada City, California. The front of the card depicts a young woman with a broken pitcher. The image style suggests a late 19th-century aesthetic. The back of the card contains a full advertisement. [The three Dreyfuss siblings—Fanny, Madeline, and Wilhelm (Will)—were among the last of twelve children of Louis and Louisa Dreyfuss, immigrants from Europe and California pioneers. Madeline (Mattie) Dreyfuss, born November 4, 1877, married salesman Simon Heineman of the Zecekedorff Company in Los Angeles in 1898.]

Trade Card: Comical Scene of an Angry WomanTrade Card: Comical Scene of an Angry Woman

A trade card depicting a comical scene of an angry woman. The card is circa 1885 and likely related to mercantile business. The card is part of the Ms. Coll. 1410 collection housed in OOS, Box 2, Folder 59. The image is a depiction of an angry woman.

Trade Card: Fold-Out Dancing Girl (circa 1885)Trade Card: Fold-Out Dancing Girl (circa 1885)

This trade card features a fold-out illustration of a dancing girl. It is a circa 1885 trade card. The card is part of the collection 'E' and is housed at Arc.MS.56, Box 10, Folder 10. The card's subject matter relates to mercantile business.

Trade Card: Hatter and Furnisher, 159 Main Street, circa 1885Trade Card: Hatter and Furnisher, 159 Main Street, circa 1885

Trade card depicting a woman emerging from a tulip, advertising a hatter and furnisher located at 159 Main Street. The card dates from circa 1885. The image shows a woman in a stylized, possibly allegorical scene, emerging from a large tulip. The text clearly states that this is a business related to hats and furnishings. The card is part of a larger collection of manuscript materials and is found in Arc.MS.56, Volume 40, Page 13.

Trade Card: Joseph Emanuel & Co., Dry Goods, St. Louis, MissouriTrade Card: Joseph Emanuel & Co., Dry Goods, St. Louis, Missouri

This trade card advertises Joseph Emanuel & Co., a dry goods store located at 1204 South Fifth Street in St. Louis, Missouri. The front of the card features a charming illustration of a young woman wearing a hat adorned with a large flower. The style of the illustration suggests a late 19th-century aesthetic. The back of the card displays a lithograph of the store's storefront. The back shows a detailed illustration of the business' exterior. The back of the card is not blank.

Trade Card: Reiss, 192 Broadway, New York CityTrade Card: Reiss, 192 Broadway, New York City

Trade card depicting a beautiful woman with her hair up. The card advertises a store located at 192 Broadway, opposite the Arsenal, in New York City. The store's Sunday hours are listed as 8 AM to 11 AM. The card is estimated to be from circa 1885. The image is of a woman with her hair up. This trade card is from the collection Arc.MS.56, Volume 25, Page 30.

Trade Card: Reiss, 192 Broadway, New York CityTrade Card: Reiss, 192 Broadway, New York City

Trade card depicting a beautiful woman with her hair down. The advertisement indicates the store is located at 192 Broadway, opposite the Arsenal, in New York City. The store's Sunday hours are listed as 8 AM to 11 AM. The card is part of a collection of trade cards and dates to circa 1885. The image shows a woman with her hair down; the text indicates the location of the business and business hours.

Trade Card: Woman Walking with an OstrichTrade Card: Woman Walking with an Ostrich

Trade card depicting a woman walking with an ostrich. The card also includes the address "44 Main Street" and the phrase "CAPTURED BY A DUDE". The card is part of Volume 25, Page 15 of archival collection Arc.MS.56. Circa 1885.

Western Fur Manufacturing Co. CatalogueWestern Fur Manufacturing Co. Catalogue

This folded card catalogue, printed on all four sides, advertises the products of the Western Fur Manufacturing Co. in Des Moines, Iowa. It features a price list and descriptions of furs and fur products. The catalogue invites ladies to visit the store at 505 Locust Street. The approximate date is 1890, based on the donor's estimation.