Subject: Painting

This pamphlet, printed by Garden and Thompson in Philadelphia in 1830, describes Benjamin West's painting, "Christ Rejected by the Jews." Authored by A. D. M'Quin, the pamphlet accompanied the painting's exhibition at Independence Hall. It provides a detailed account of the artwork, highlighting its artistic merits and theological significance. The pamphlet's purpose was to inform viewers about the painting and its context, thus enhancing their appreciation and understanding of the piece.

Invitation to a lecture on "Jews and the Crusades" by Professor Dana Munro, followed by the presentation of a painting to the Mikveh Israel Association by Meyer Danzig in honor of Dr. Sabato Morais. Held in Philadelphia, Pennsylvania on February 16, 1902.

Oil painting depicting the transport ship 'The America' under Captain J.P. Levy during a hurricane off the coast of Vera Cruz. Painted circa 1847 by James Guy Evans (1810-1860), active in New Orleans. The painting includes the inscription "Transport the America under Capt. J.P. Levy off the coast of Vera Cruz on way to N.O." This painting is significant as it is considered the only known American Jewish War-related painting from before the 20th century. It boasts notable provenance, having been owned by Jefferson Levy, son of Captain J.P. Levy and owner of Monticello.

Oil on canvas portrait of a South Philadelphian Jew, painted by Joseph Sachs circa 1920. The painting measures 20" x 16" and remains in its original, untouched frame. Joseph Sachs (1887-1974) was a Philadelphia Jewish artist who studied at the Pennsylvania Academy of Fine Arts under William Merritt Chase. His primary medium was oil paint, and his subject matter primarily consisted of portraits. Sachs is listed in *Who Was Who in American Art* by P. Falk (1985).

A receipt from P. B. Lamont for painting the counting room of T. J. Tobias & Co. in New York City. The receipt is dated January 1, 1825. The dimensions of the receipt are 8" x 2.5".

This trade card advertises P. Fleischner & Co., artists' materials suppliers located at 1026 Chestnut Street, Philadelphia, Pennsylvania. The front of the card features a comical scene at the beach with a man in a straw hat, a woman in a long dress, and a child in a sailor outfit. It appears they are participating in some type of seaside amusement. The illustration features bright, primary colors including red, yellow, and blue. The back of the card is blank.

Trade card depicting a girl sitting at a painting. The reverse side features a full advertisement. The address 15 South Franklin Street is visible. The card dates from circa 1885. This item is part of volume 41, page 16 of archival manuscript collection Arc.MS.56.

This trade card advertises De Young's, a purveyor of artists' supplies. The front of the card features a sepia-toned portrait of Zachary Taylor, the 12th president of the United States. The portrait is likely intended to evoke a sense of American history and patriotism, associating De Young's with high-quality materials favored by skilled artists. Below the portrait, the address is clearly printed: 815 Broadway, three doors from 12th St., New York. The back of the card is blank. The card indicates that De Young's sold oil paints and crayons.

Trade card advertising Fechner Brothers, merchants selling watches, diamonds, paintings, and notions. The card lists two locations: 490 State Street, New Haven, and 62 State Street, Bridgeport, Connecticut. The card is circa 1885.

This trade card, circa 1885, advertises the Fechner Brothers' business in New Haven and Bridgeport, Connecticut. The card features an illustration of a comical girl and a man, and lists items for sale including watches, diamonds, paintings, and notions. Addresses listed are 490 State St., New Haven, and 62 State St., Bridgeport.

Trade card depicting a scene at 230 W. Pratt St. and 55 Hanover St., Baltimore, Maryland. The card shows a girl in a blue skirt painting at an easel in a park. The card is circa 1885. The description also includes the note 'FULL AD'.

This trade card advertises S. Rosenbloom & Son, clothiers. The front of the card depicts a young girl painting on an easel. She is depicted in a light-colored dress, and her surroundings suggest a comfortable and well-lit interior. The illustration style is detailed and evocative of late 19th-century aesthetic sensibilities. The back of the card is blank.