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Subject: Musicians

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As It Was Written: A Jewish Musician's StoryAs It Was Written: A Jewish Musician's Story

This 253-page book, published by Cassel in 1888, recounts the life story of a Jewish musician. The narrative likely details the musician's experiences within the Jewish community and broader society, exploring themes of identity, profession, and personal journey. The book offers insights into the life of a Jewish musician in the late 19th century, examining both their personal and professional challenges and triumphs.

Billhead - Hassler's Musical Bureau, Philadelphia, June 15, 1888Billhead - Hassler's Musical Bureau, Philadelphia, June 15, 1888

This billhead from Hassler's Musical Bureau, located at 1119 Chestnut St., Philadelphia, records a transaction on June 15, 1888. It is a receipt acknowledging payment of $12.00 from Mr. Henry W. Edwards for "Orchestral Services" provided at Andalusia on the 2nd. The document features the business name and address printed at the top in a clear, sans-serif font. The date, buyer's name, description of services, amount, and director's name are filled in with ornate, cursive handwriting. The phrase "With Thanks" and the signature "Mark Hassler" are also in a distinctive cursive style, with "With Thanks" highlighted in purple ink. **3.

Cartes-de-visite - Ch. Reutlinger, Paris, circa 1860Cartes-de-visite - Ch. Reutlinger, Paris, circa 1860

A carte-de-visite studio portrait of a man, identified as Maurice Strakosch, presented in a bust-length pose with a mustache and a bow tie. The reverse of the card features the ornate design and branding of the photographer, Ch. Reutlinger, including their name, address (21 Boulevard Montmartre, Paris), a crest-like logo, and the phrases 'Déposé' and 'Garanti d'après nature.' Both the front and back of the photograph contain handwritten script.

Photograph of Alfred HertzPhotograph of Alfred Hertz

A photograph of Alfred Hertz (July 15, 1872 – April 17, 1942), a German conductor. The photograph is circa 1900. Hertz is known for conducting the Berlin Philharmonic's first recording session in 1913 (excerpts from Parsifal) and for his tenure as music director of the San Francisco Symphony from 1915 to 1930. His leadership of the San Francisco Symphony garnered him significant praise, including a cover story in Time magazine. David Schneider, a longtime San Francisco violinist, noted Hertz's return as a guest conductor after 1930 in his history of the orchestra.