Carte-de-visite (CDV) photograph by Levy & Cohen, landscape photographers in Philadelphia, Pennsylvania. The verso displays a full advertisement for Levy & Cohen, located at the Northwest corner of 9th and Filbert Streets. The photograph depicts an actress; taken sometime between 1865 and early 1866, based on the partnership of Levy and Cohen.
Subject: Landscape Photography
No additional authority information available for Landscape Photography.
This stereoview photograph, captioned "Clove Valley", depicts a scenic rural landscape with a wooden fence winding through trees and open terrain, offering a distant view. It is part of photographer Isaac Almstaedt's "Staten Island Gems" series, capturing the natural beauty of Staten Island.
A sepia-toned cabinet card photograph, attributed to Isaac Almstaedt, depicting a steamboat in the middle of a body of water with a dock on the left side and several sailboats in the background. The verso of the card is captioned "Bay by moonlight."
This Carte de Visite, attributed to photographer Isaac Almstaedt, captures a quiet town street scene. The sepia-toned photograph features a dirt road leading into the distance, flanked by mature trees and fencing. On the right side, a substantial brick building with a gabled roof is visible behind a white picket fence, suggesting a residential or institutional structure. The overall composition provides a glimpse into a late 19th-century landscape, possibly of Staten Island.
A sepia-toned stereoview photograph, part of Isaac Almstaedt's "Staten Island Gems" series, taken circa 1875. The image is captioned "Wann's Glen -- Toad Hill" and depicts a verdant landscape with trees, dense foliage, a small body of water, and a distant structure (possibly a bridge or railway). The background features a distant hill or horizon, indicative of a rural or semi-rural scene. The photograph is mounted on a card, characteristic of 19th-century stereoviews, with handwritten annotations "Wann's Glen -- Toad Hill" and numeric identifiers on the reverse. 3.
This Carte de Visite (CDV) is a sepia-toned photograph attributed to Isaac Almstaedt, depicting a view from the St. Marks Hotel. The image shows a landscape with a single figure wearing a hat, a garden in the foreground with various plants and some architectural elements, and a body of water with distant structures in the background. The reverse of the card bears the handwritten caption "View from St. Marks Hotel."
A stereoscopic photograph titled "New York Harbor," taken by I. Almstaedt, Photographer. The image presents an elevated panoramic view of a city landscape with a significant body of water, likely New York Harbor. The verso of the card features a pink background with "Staten Island Gems" printed in decorative script, followed by "I. Almstaedt, Photographer, Tompkinsville, S.I." and "Duplicates can always be had," indicating it is part of a series by the photographer.
A stereoscopic photograph by I. Almstaedt, part of his "Staten Island Gems" series, depicting Sailors' Snug Harbor. N. B. The image captures a grand building with columns, possibly part of the Snug Harbor complex, surrounded by numerous bare trees, a decorative fence, and an ornate gateway. The ground appears bare, possibly in winter. The photograph is mounted on a card with an orange border. The reverse side, partially damaged, features a pink background with ornate text indicating "I. ALMSTAEDT, PHOTOGRAPHER, TOMPKINSVILLE, S. I." and the phrase "Duplicatas can always be had."
A stereoscopic photograph from the series "Staten Island Gems," featuring a hillside view of a road with trees and scattered figures. The photograph is mounted on a card, with the reverse side displaying the series title "Staten Island Gems" and the photographer's name "J. Almstaedt, Photographer" along with "TOMPKINSVILLE, S. I." in ornate black typography. The card also states, "Duplicates can always be had." 3.
This stereoscopic photograph, titled "View from Hamilton Park," is part of the "Staten Island Gems" series by J. Almstaedt, Photographer, located in Tompkinsville, S.I., circa 1875. The image captures a serene landscape from Hamilton Park, featuring a verdant vista with lush trees framing the scene, a wooden fence, and two small figures observing the distant scenery. The back of the item features the series title "Staten Island Gems" in a stylized, decorative font, along with the photographer's name and location. 3.
A stereoscopic photograph from J. Almstaedt's "Staten Island Gems" series, depicting an "East Side Ferry Boat" on the water, leaving a prominent wake. The item presents two identical photographs mounted side-by-side on a card for 3D viewing. The front of the card features an orange border, while the pink reverse side includes printed text identifying the photographer, his location, and the series name "Staten Island Gems," noting that "Duplicates can always be had."
A stereoscopic photograph showing a long wall of burial niches in the New St. Louis Cemetery on Esplanade Street in New Orleans, Louisiana. The scene depicts numerous individual tomb compartments, some adorned with wreaths, under a tree-lined sky. The reverse side of the photograph features ornate Victorian-style typography advertising "Series of Stereoscopic Views of New Orleans & Vicinity" by "Lilienthal, Portrait & Landscape Photographer."
This stereoscopic photograph, created by T. Lilienthal, captures a view of the Jockey Club House in New Orleans, Louisiana, which was also known as the Luling Mansion and later the Louisiana Jockey Club. The image features a large, multi-story building surrounded by dense trees and shrubs, with a winding pathway leading towards it. The reverse side of the card is adorned with ornate Victorian-style typography, including a cherub motif, advertising "Series of Stereoscopic Views of New Orleans & Vicinity" and identifying "T. Lilienthal, Portrait & Landscape Photographer" at 121 Canal St., New Orleans. **3.
The item is a stereoscopic photograph by T. Lilienthal, capturing a view of Howard Cemetery in New Orleans, Louisiana, circa 1870. The image features a large fountain in the foreground, with various monuments and structures visible in the background. The reverse side of the card is ornately decorated with Victorian-style lettering, identifying the item as part of a "Series of Stereoscopic Views of New Orleans & Vicinity" by T. Lilienthal, a "Portrait & Landscape Photographer" located at 121 Canal St., New Orleans. 3.
This stereoscopic photograph captures a woman and a young child with a small wheelbarrow on a paved driveway in front of a grand private residence, surrounded by mature trees. The back of the item features an elaborate design typical of Victorian-era photography, including a cherub figure, ornate borders, and decorative text. It identifies the item as part of a "Series of Stereoscopic Views of New Orleans & Vicinity" photographed by "T. Lilienthal, Portrait & Landscape Photographer." The address "121 Canal St., New Orleans" is noted, along with the inscription "100 Private Residence on St. Charles st."
Stereoscopic photograph depicting a landscape near Klamath Peak and the Black Bear Mine Road in Fort Jones, Siskiyou County, California, circa 1875. The verso is marked "Louis Heller Photographer, Fort Jones, Siskiyou Co California." Pencil text on the back also indicates "Klamath Peak - Black Bear Mine Road." Fort Jones is situated within the Klamath National Forest. This stereoview is one of many produced by Louis Heller, a photographer described as "the indefatigable photographer of the Modoc War."
This stereoscopic photograph, part of the "Staten Island Gems" series by Isaac Almstaedt, a photographer based in Tompkinsville, Staten Island, captures a tree-lined street captioned "St. Marks Place, N. B." (New Brighton). The reverse side of the card features the photographer's name and series title in decorative, ornate Victorian-style lettering typical of the period. 3.
This stereoview, part of the "Staten Island Gems" series by J. Almstaedt, Photographer, depicts the steamboat "Thomas Collyer" on the water, with what appears to be a lighthouse or buoy in the distance. The front of the card is captioned "Thomas Collyer". The reverse side features ornate Victorian-style lettering for "Staten Island Gems" and identifies J. Almstaedt as the photographer, located in Tompkinsville, S.I., noting that "Duplicates can always be had." The card itself has an orange border, typical of stereoviews from the period, designed to be viewed with a stereoscope to create a three-dimensional effect.