Geography: Milton


Associated Items

Trade Card for S. Dreifuss & Bro., Clothing Merchants Trade Card for S. Dreifuss & Bro., Clothing Merchants

This trade card for S. Dreifuss & Bro., clothing merchants in Milton, Pennsylvania, features a charming illustration of children playing with a beetle. The children are dressed in colorful clothing. One of the children is holding a wire, and a beetle is jumping over the wire. The front of the card has a red border, and the back is blank. The card also includes the business name, S. Dreifuss & Bro., and the location, Milton, Pennsylvania.

Trade Card: M. Oppenheimer, Milton, Pennsylvania Trade Card: M. Oppenheimer, Milton, Pennsylvania

Trade card advertising the dry goods and artistic millinery of M. Oppenheimer in Milton, Pennsylvania. The card features an illustration of two boys riding Star Braid bicycles. Circa 1885.

Trade Card for M. Oppenheimer, Dry Goods Merchant Trade Card for M. Oppenheimer, Dry Goods Merchant

This trade card for M. Oppenheimer, a dry goods merchant in Milton, Pennsylvania, features an illustration of a woman and a cherub holding red roses. The colors are vibrant, with yellow, white, and red dominating the scene. The back of the card contains a full advertisement. It appears to be a trade card from the late 19th Century. The woman is wearing a fashionable long, dark dress with a pale shawl that is gathered at her waist, while the cherub holds roses. The woman's blonde hair appears to be pulled back and she has a long, narrow, elegant neck.

Trade Card: M. Oppenheimer, Ball's Corsets, Milton, Pennsylvania Trade Card: M. Oppenheimer, Ball's Corsets, Milton, Pennsylvania

This trade card advertises Ball's Corsets at M. Oppenheimer's store in Milton, Pennsylvania. The front of the card features a charming illustration of a woman with a cherub kissing her. The image is likely meant to evoke a sense of beauty and femininity, associating these qualities with the corsets. The back of the card shows a full advertisement. The style of the illustration and the overall aesthetic suggest a late 19th-century origin.